The do./,o$rs o##f perc=eption are flung wide ` open @;in +HardWerk*’s trip*piest\ gan_g=_ )%ba$\.ng y`\et, a visually p;;sychede
!lic \] and vis@cerally ps
ych#+osexu\ al h./omage to Fear and Loathing in Las /
Vegas. However, in ;\this version]`=, _%it’s.
 a female pr!
otag+[onis%+[(t, performer@- Bebe. Melkor-Kadior, hunt%ing for $answers, experi)]/$enc^.es@)) and t@he ultimate -high i[%n mo:\de.r_]n@:\-day Berlin – a hunt ^[tha]^t * brings her to the`:!
apartmen !t o?f Las Ba(].ng_ers. Utilizing p\ ar,,allel -chro
_nologies\_ and t)_)ha(?t characteris*tic co.--mmon to al`=l the+
mo*$$st_= intoxicating  of ple?asures, the fi %lm pla.?ces i
/t).@(s s\-[even=@ perf,]or ]mers firmly i=
n the h(
$allucinatory space betwee#[n fantasy and ecstasy, di+@/storting n*o_t only ;%^time )]$and space but;  notions of ob-je:cti +v-ity and,`$ s`ubjectivity, eg($ o a!#nd id, mi#[nd a@nd body^[^, and k  nown and,[ un@_=\k nown for a ka- leidoscopic and c_arnal t#`rip not t\`hrough but o%/ n a conscio+usne! .ss-alte\-r^
ing :!^dos#^e ! of d)e,:sire.