The +`new series \is going t]=.o be entitled The T?=
]ower II\(]: +-Death Message a(=+nd is! based on _
.Kate L+ondon’s b[ ri
lliant !second novel of th(e s
,ame name$%$. It is be/ing ada%pted by screenwriter Patri#,ck H[arbi:=+@nson (H /:+om\eland, Fearl@ess, 24,*^, E+,R) :and= pr]\odu!+ ?]ced = )by h^=is co[
#mpany Wind/#hover *Films an$.d productio(
 n company Mammoth# _,Screen.#;
　　The se[
ri!es opens wi *\th L!izzie (T_*ahirah /Sh[$:a/[r@.@if) returning to *_F)a^):)rl_,ow station where her boss =\and former love $*#r, DI K]ieran Sha^ w (Emmett J Scanlan), p-(ar(tner*s her with_ $Arif [?!!?Johar (Michae l K%_)+arim).*.\! T;heir first call is to a domestic `\vi$;?ole__-
nce _= compl?ai^@:nt agai%-nst Mark Brannon, w*]:[ho is acc`used$/ of ,
b%-ea`ting up hi;s gi;,rlfri!+?_en+d  =, G*\*eorgina`\?? Teel, and terrorising th^ei/,r +$;yo/;ung  ^d.*)a-%][ugh[_\ter Skye(.
　　L+] @/izzie persuades Geo;, rg\),in/a _+%to tell th$e .=,truth about what*++ Brannon h:* as done t[)o he-r, enabling Lizzie and %#(Arif to arrest .him. However ^=),? once $=.th@ ;e $- case g!?@ets to cour t, L+ i_]^zzie f^ inds+  he[+#?r?self cross-examin( ;ed o+-.n the s;? tand, #
? ]leaving the whole case on a knife-edge);.”^

　　Sarah kno[ws]? th%/at Fedden has hande`d her !an impossible chal
l)#/[enge,:`$ bu@t she throws herself in:_to@# i$-#t with typical-; dete*)`rmi#natio^n and_( t*horo`,?ughness.`- And, gradua%+ll[y, p erhaps helped by $the fac*t_; that \she too was a
t eenag+er of[=` Tania’s age ba+c`k in 1997, she begins to uncov)?er clue:!*s that prev) i!\+ous inve^-$st$+=igations had\!: ove#;rlooke;d. At the end of the first-% episode, Sarah[’s investig(_ations ta`@_k,:e a ) fu, #rther twist, +which m,\^e_ ans ]=:;she.\` and Lizzi+e cross /?!( p@
aths again.