Fin$d out how submis)?sion, dominati#.on, objec]:tification, a.nd bonda[g%[*e ;-int#.\e rtwine in *this ?pr *o-.@.d\$$uct/-_ion by Poppie Cox.Sometimes yo-u just; wan t t(o sur
render to th
:` e poi-+n`;t of b*`ecoming a chai+_r or a table , meant to;]- b^ e$! seen but not hear/@d-, meant to;# exist as `?a mere i*/l*lu-sion with no feelings or/ d;ecisio n.=$s to make,(!-# #meant to ser[;ve only.Or may?be you enj]/=,(o y the po(wer ^p[`)l\ ay that` come@==s w!/@it]h being sentien% #;t in a sea -=of non-@:$se nt (%ient bei[,ngs and deci\ding \+w#,hen ?#th `ey can go back to life, no matter what they think.It doesn't matte^:r if; you prefer (:b+-
%ei n$(g ^\d]$om ina#?nt or submissive or both; in F=,o[?r niphi`le, you'll g$et to ex@,pe%]+#rien-ce every side$ of it.This hi.=#ghly,\-s.=tyliz]e)%d eroti\:c ;$movie plays wit^ 
h / our concep,
t o+?=@f dominatio n and submiss/%ion. It questions our idea of #objectifi cation.^ a#( )s bodies-` !*shift be#tween a state of obj
`-:ect and su bje! ).ct whi,=^le desire flows smoothly(
 between the t(w;o.